Winner of important international composition competitions (Open Call “SIAE Classici di Oggi 2018/2019” – Commission for Orchestra, [‘tactus] Young Composers’ Forum – Mons, George Enescu International Composition Competition – Bucharest, Biennale College Music – Venice, Franco Donatoni International Meeting for Young Composers – Milan), Caterina has received commissions by several institutions including Ars Nova Ensemble in collaboration with SACEM, Orchestra Sinfonica Abruzzese, Aldeburgh Festival in cooperation with Ulysses Network, “SIAE – Classici di Oggi” in partnership with Orchestra della Toscana, Divertimento Ensemble supported by the Ernst von Siemens Foundation, Biennale di Venezia, Riot Ensemble, Puccini Festival, Collegium Musicum Chamber Orchestra of Lviv, Associazione Nuova Consonanza, the World Exposition 2015 and Fondazione Spinola Banna per l'Arte, for which she was also Composer‐in‐Residence.

Her scores, selected in renowned international calls for scores and conducted among others by Gregory Charette, Daniele Rustioni, Geoffrey Paterson, Carlo Rizzari, Jean–Paul Dessy, Sandro Gorli, Aaron Holloway–Nahum, Michele Gamba and Igor Dronov, have been performed and programmed in Austria, Belgium, England, France, Germany, Italy, Luxembourg, Mexico, Russia, Serbia, Spain, Sweden, Switzerland, The Netherlands, The Philippines, Ukraine and USA by ensembles and orchestras such as Neue Vocalsolisten, Musiques Nouvelles, Ensemble Échappé, Ensemble Mosaik, Divertimento Ensemble,  Riot Ensemble,  Ensemble Oerknal!, Ars Nova Ensemble, Ulysses Ensemble, Ensemble Reconsil, Studio for New Music, Ensemble Alternance, Solisti Aquilani, Lviv Virtuosos String Orchestra, Orchestra Sinfonica Abruzzese, Tofarm Festival Orchestra and Orchestra della Toscana.