The title means ‘With a changing key’, from a poem by Paul Celan.

The formal structure of the piece is characterized by the different keys to understand the same material. Heaven turns into hell, harmonious utopia turns into its opposite, through an incessant flow of energy that goes from one instrument to another. Events reveal a dual nature, often contrary, that well lends itself to an imaginative transposition into music.

The use of the sound material is by nature functional to various interpretations that allow to perceive its most tortuous aspects, from its original purity to its most extreme corruption. 

Caterina Di Cecca, 2020